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**Figure 6.6.** The **Layer panel** shown here demonstrates the handy command you can place on the right side of the panel. The layer itself allows you to apply a brushstroke, move, paint, erase, or change a color. You can perform the following edits with the Layer panel: * Set the layer’s position on the canvas * Change the source image’s color to one of the six color presets * Add a layer mask * Create a new layer * Move, rotate, resize, or duplicate the layer * Change a layer’s name * Add an effect As you move your mouse over the different elements of the Layer panel, you are presented with tool tips to guide you. These tool tips provide quick descriptions of the elements’ functions. You can activate or deactivate a tool by clicking the tiny blue tool tip ( **Figure 6.6a** ). Alternatively, you can click the icon displayed in the tool tip. You can also activate a tool by dragging over an element of the panel, either a layer or its controls. To switch to a different tool, press the spacebar or click the icon in the tool bar ( **Figure 6.6b** ). Alternatively, you can activate a tool by clicking the icon on the tool bar. **Figure 6.6a** : To activate a tool, you simply click the icon in the tool tip If you choose to not use the layer panel but just work on the canvas, you still have access to all the tools on the tool bar ( **Figure 6.6b** ). **Figure 6.6b** : You can also activate a tool by dragging over the tool bar To return to the Layer panel, simply click the up icon (on the right side of the tool bar) ( **Figure 6.6b** ). To exit the panel, click the x icon (left side of the tool bar). In general, working in Photoshop is a fairly intuitive affair because the tool tips help guide you. For those who use any of the other programs I cover in this book, I’ll cover the basics here. Working with layers Once you have selected a layer (by clicking on it in the Layer panel), you can work on this layer directly or you can use any of the tools available in the tool bar to modify the layer. You can also perform the



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Now, here are the best features of Photoshop Elements to download and use. # Best Features of Photoshop Elements: PIXEL VIEW One of the best features in Photoshop Elements is the ability to view your images in a large pixel display that makes it easy to find and work on specific pixels. You can zoom in and out, change the color and brightness, or change the type of the image to any of the formats. Pixel View: PIXEL HUD Pixel View also has a special pixel display called Pixel HUD. The Pixel HUD makes it easy to find specific pixels, even in an image with a lot of images. The Pixel HUD is often used to edit an image while it is displayed. It lets you get pixel-by-pixel access to the image, hiding the rest of the content. This is an excellent feature to test changes made to the image and see the image in detail. You can find the icon at the bottom of the Pixel View: PIXEL BLEND When you are editing an image, you often want to blend one part of the image with another. This is a feature that lets you move a part of the image over another part to blend it. Press Alt and drag the image to use it on another image: PIXEL LIFT Another exciting feature is the ability to make a small part of an image larger. When you press LIFT, the image will increase in size and display the selected part. You can use the Pixel LIFT on a specific area of the image, or on a part of the image. There are two methods to use the Pixel LIFT on an image: To use the Pixel LIFT, open an image and then press LIFT: The selected image will enlarge and show the area of the image where you have pressed LIFT: PIXEL SHARPEN Make your image clear and more sharp: PIXEL SHARPER Some images show blurred artifacts, especially when the photograph is taken in a low-quality room or when the image was taken with a camera that does not have a very high-quality zoom. To fix the blurred artifacts, the Pixel Shaper is another exciting feature in Photoshop Elements. Press M in the image and your image will show a red 05a79cecff



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Contact your library’s reference desk for assistance in locating the exact page this text refers to. This may take several weeks to resolve. Interlibrary Loan (ILL) is a process by which a user requests a book or other material from another library. ILL is available at each library in the State Library of Queensland (SLQ) system and is free to borrow if the material is held in SLQ. Please refer to a library’s Interlibrary Loan Procedure Form for details on requesting ILL materials. General Information about ILL in Queensland Interlibrary Loan is the most efficient way of obtaining books or other materials held in another library. ILL only covers books, periodical and audiovisual items. When you request ILL, you also request the book or other material and the library will send it to you. You are also responsible for returning it. If you are borrowing an item for private study purposes only, the cost of borrowing can be reduced from the regular cost. You can place an Interlibrary Loan Request online (new for June 2017, see below for details). Library staff will check the availability of the item and confirm whether it can be provided to you. ILL requests are submitted online via the Library’s Interlibrary Loan software. Some libraries will be able to send the material automatically as an e-book. If your library is unable to send the material as a downloadable item, they will provide you with an item number which you can use to order the material on interlibrary loan. Important: If you have a Queensland postal address, the cost of sending ILL material via post is $1.00 per item (for example if the book is more than $30.00). Should ILL matter be held outside of SLQ? ILL matters may be held outside SLQ only if those items are specially processed for copying only. You are responsible for such copying charges. How long will it take to get a response? The library will contact you as soon as possible to advise of the availability of your ILL request and the cost of sending the material. The response is normally one or two weeks but can be considerably longer if the item is held in a particular library. If the item is not available in SLQ, the library will contact you to advise if and when they are likely to be able to send the item to you. NOTE



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Automobile Ride Automobile Ride is the sixth studio album by Swedish industrial band Massive Attack, released on 28 April 1995 on Virgin Records. It was recorded during a period in which the band members were suffering from chronic fatigue and exhaustion. The album was released with little promotion, and the band split up shortly afterwards. Recording During 1994, Massive Attack struggled with the effect of chronic fatigue and exhaustion on the music they were making. Bassist/lyricist Grant Smithson explains that «It wasn’t comfortable for any of us because we were all aware of what was going on, and I know I was in denial at the time. We were trying to work away from home, and we were all going back and forth. We were working with Bill, and everything was fine but it was a very bad time for us.» During the first half of their live tour, Massive Attack played two acoustic shows, one in Stockholm’s Stockholm Globe Arena and the other in Paris’ Palais Omnisport. These shows were released as the EP Live at the Globe Arena and Live at the Palais Omnisport respectively. Massive Attack filmed a concert and commentary for the European television network, TV4, at Stavanger’s 20,000-seat Stavanger Arena in June 1994. The film, which consisted of raw, unedited footage and commentary, was shelved, leaving some footage unseen for over a decade. Release Automobile Ride was released on 28 April 1995 by Virgin Records. It was preceded by the single «Mezzanine». The album peaked at number 19 in the UK Albums Chart. Critical reception Reviews of the album were highly polarized, with a number of critics deeming Automobile Ride to be a masterpiece, while others criticised its production quality and were unimpressed by the music. In a review for Select, Chris Harvey gave the album a grade of 8 out of 10, calling it «one of the most inventive records of the last ten years». He cited the lyrical depth as «massive», but criticized the production, saying «the production’s a little empty, a little thin-sounding in places, especially on the second half of the record.» Harvey concluded: «It’s a fantastic effort and I can’t imagine anyone really putting up a fight to get this record out of their collection, except the kind of person who can’t understand why an album isn’t made on a ‘Twelve-In



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